Digital Autonomy & (Self-)Regulation
Digital Autonomy & (Self-)Regulation
The research focus Digital Autonomy & (Self-)Regulation revolves around the question of what a self-determined and effectively (self-)regulated use of media and digital technology can look like in a permanently connected world. The research focus is motivated by the observation that media use accounts for a large share of most people’s waking time budget (approx. 7-8 hours per day) and that using digital media such as smartphones and social media has permeated almost all life domains. In the course of this “mediatization of everyday life”, the question often arises as to how the use of digital media and communication can be successfully (self-)regulated, especially where there is tension with other life domains (e.g. work, recreation, interpersonal interaction). Even though there are many strong opinions on this question, it has so far been difficult to provide a reliable, evidence-based answer. Using diary studies, experience sampling, digital behavioral data and experiments, we therefore investigate the selection, processing and impact of ubiquitous digital media offerings through the lens of (media) psychological self-regulation theories and in the context of digital media policy.
The following research strands and projects characterize this research area:
Selected publications in this research area:
- Meier, A. (2022). Studying problems, not problematic usage: Do mobile checking habits increase procrastination and decrease well-being? Mobile Media and Communication, 10(2), 272-293. https://doi.org/10.1177/20501579211029326
- Halfmann, A., Meier, A., & Reinecke, L. (2021). Too much or too little messaging? Situational determinants of guilt about mobile messaging. Journal of Computer-Mediated Communication, 26(2), 72-90. https://doi.org/10.1093/jcmc/zmaa018
- Reinecke, L., & Meier, A. (2021). Media entertainment as guilty pleasure? The appraisal of media use, self-control, and entertainment (AMUSE) model. In P. Vorderer & C. Klimmt (Eds.), The Oxford Handbook of Entertainment Theory. (pp. 203-230). Oxford University Press.
All publications of the Assistant Professorship can be found here.